Written
by Tuomas Holopainen
Released
2007
I
like long songs. Something that can forge a place for its self and
tell a good story. Songs are one of the oldest and best forms of
story telling and with ‘The Poet and the Pendulum’ we have one
that excels in story and music. It is a piece of audio artwork.
Clocking
in at 13:51 it clears the threshold for a long song by by books (7
min) and it uses its time well to deliver the story. The story is
broken into five parts; each a different aspect of the story and
quite different in style. But before I get into any of that just a
quick world on long songs.
The
more time that something has to play with can make it better; not
having to constrict itself to a short limit just to get air time. I
love Iron Maiden for this reason most of their songs are too long for
regular radio but it hasn't hurt them at all. Their songs tell the
stories they want and use all the time that they need. Nightwish are
similar, they have a fair few long songs and with ‘The Greatest
Show on Earth’ they have the longest song that I own (its a
whopping 24 minuets). I like to enjoy my music and a long song I can
get my teeth into makes it all the more enjoyable.
The
end
The
songwriter’s dead
The
blade fell upon him
Taking
him to the white lands
Of
Empathica,
Of
Innocence
Part
1: White Lands Of Empathica
What
a way to kick off your song! A solo by a young choir boy singing very
clearly and beautifully. The song starts off at the end of the story
with the dead song writer’s spirit going off into the beyond
(Strangely Empathica is a place in the Dark Tower books). This part
starts the story and sets up the tone and themes.
It
sets up questions, how and why did the song writer die? How did it is
come to this? The answers will come in time. The title can suggest
the is interesting things going on with time itself. The song doesn't
run in a ‘normal’ linier fashion, that much is obvious. It jumps
around in the writers life as we see different times. The story point
of view swings back and forth.
The
music is haunting and the whispers in the background sells the
setting of a death bed or a spirit moving on. The voice of an Angel
perhaps? The choice of the singer is great and adds even more when he
comes back later. This part is less that 90 seconds long and is very
much an overture, but the set up is outstanding. Onto the struggle.
The
dreamer and the wine
Poet
without a rhyme
A
widow writer torn apart by chains of Hell
One
last perfect verse
It's
still the same old song
Oh
Christ, how I hate what I have become
Part
2: Home
The
tempo shift hits and the song kicks into gear. Back in 2007 if this
album was the first you had heard of the new Nightwish then this was
your intro to the new lead singer Anette Olzon and boy is she good.
She has the range to pull of all the parts of this song from melodic
to fast and heavy. She makes the lyrics flow better than just reading
them ever can.
Here
we come the sensitive part, the man who wrote this song. The song
writer of the story and reality share the same name, Tuomas. This
song and album is the first since the split with the former singer
and a dark period in his life. He has since stated this is the “album
that saved his life”. I down want to dive deep into the cross
meaning but it is something to keep in mind.
“My
home was there and then, those meadows of heaven.” There are
moments of joy at the memory of a better time or place but now his
life is filled with a struggle to work and to handle his renown. Its
just a small line but I think he struggles to live up to his fame and
the name he had made for himself. Why can’t he write another
perfect verse. He is an artist who has lost his muse and pines for a
simpler time at home where all is safe.
Time
to talk about that chorus. To me this is his break down. There are
struggles, problems and fancy in his life but this keeps coming back.
Its interesting to fit the nature of a song into the story, in any
other song a chorus can cause a narrative dissonance. but here it is
used to show his struggles are the same and they keep coming back. A
need to get away, and an insight of his own coping mechanism tangled
with his main issue an inability to cope with his life.
The
good times of the past only serve to show how deep his current
struggles are and it will spiral deeper into despair.
You
live long enough to hear the sounds of guns,
Long
enough to find yourself screaming every night,
Live
long enough to see your friends betray you.
For
years I've been strapped unto this altar.
Now
I only have three minutes and counting.
I
just wish the tide would catch me first and give me
a
death I always longed for.
Part
3: The Pacific
Oh
boy this bit. The part that makes me reconsider sharing my music
choices. Dose it make a difference that it seems to be a metaphor?
Nope its still dark and rightfully so. I wouldn't have it any other
way. I am not one to cringe away from uncomfortable things but to
share it…
This
bit is powerful and hits hard. The child's voice packs all the right
emotion and makes the impact that much greater. It is something no
child should mean to say, and it is used to great effect and sells
the state of mind the Poet is in. It is his struggle in his own
words. His fear resentment and resignation to his fate.
The
pain comes in after what seems like his wish for an easier life; a
life of beauty full of poetry and to be a careless as a child one
again. It started off so beautify and kind of hopeful, the first
three stanzas then give way to the narration and it slides into
despair and the brink of death. So calm, so sincere. It makes the
shift to the next part a huge blow.
2nd
robber to the right of Christ
Cut in half - infanticide
The world will rejoice today
As the crows feast on the rotting poet
Cut in half - infanticide
The world will rejoice today
As the crows feast on the rotting poet
Part
4: Dark Passion Play
The
is a lot going on here, first off is to work out what is meant by
‘2nd robber to the right of Christ’? At a glance it is referring
to the penetant thief but the wording is odd and I think it would
make more sense to be about Gestas, the impenitent thief who taunted
Jesus. Dose he see himself as Gestas a man worthy of death but who
would taunt Jesus? Seems at odd with the line about a face for God
but now perhaps all pretences have dropped.
The
male vocals are done by Marco and they are great, strong and
understandable
they bare the emotion of the words well. These
are the poets last words as
such, they are full of hate for the world and himself. He sees it as
something he must do and the line: ‘Slain
by the bell, tolling for his farewell’ heavily
implies suicide.
All
three vocalists have a part in this act; an out burst from the poet,
then we are shown the aftermath with an implication that he is not
missed and lastly a eulogy. It states the circumstance around his
death but with a slip of hope he was at least content in death. But
then why is the next line ‘Save me’?
Be
still, my son
You`re home
Oh when did you become so cold?
The blade will keep on descending
All you need is to feel my love
You`re home
Oh when did you become so cold?
The blade will keep on descending
All you need is to feel my love
Part
5: Mother and Farther
Did he find solace in death? Perhaps,
but it seems even in the world after you must search it out. Are his
parents now there to help and guide him: to find his shore or must it
be for him to find? Dose the end of his life lead to a new beginning.
Its an almost damming observation of
the Poets nature by his parents if it even if it is his parents. With
all the refinances to God is it divine worlds that set him on his
path. The blade descending seems to be kept a bay by love and meaning
in work
Through all the pain and hate and
fear, the song ends in a lighter more optimistic tone. Even through
all hardships and the casting off of ties and even life the will
always be love if you want it.
The beautiful singing from the start
is back, but now it lacks the whispers from the start of the song. It
shows the change in his mind set, the is no more harmful thoughts to
get in his way.
Get away, run away, fly
away
Lead me astray to dreamer's hideaway
I cannot cry 'cause the shoulder cries more
I cannot die, I, a whore for this cold world
Lead me astray to dreamer's hideaway
I cannot cry 'cause the shoulder cries more
I cannot die, I, a whore for this cold world
The Power in the Song
This is a masterpiece. The story of
fear, hate, self loathing, pain and death of one struggling man. It
shows us all of the complex issues that can be suffer with in the
time where someone want to die. It doesn't end there where the is
darkness the is also light and the song gives hope to anyone who
looks.
The is other way at looking at things
and I could have gone on for so much longer about the meaning of the
pendulum the method of death and so on but what I have discussed is
the bit that stand out to me. Different people see things in many
ways and I don’t even know if this is the writers intentions and
I’m not sure I want to know just yet.
The are some key choices in the
creation of this song that work to its advantage. The use of the
orchestra and choir boy add so much and sells the emotion of the poet
and elicits feelings in the listener time after time. Few songs are
so daring and it pays of with one of the greatest songs the band has
done.
Nightwish
are not strangers to darker
story's
and I may have to take a deeper look at their
film sometime. But for now this has been my
thoughts
on just one of their
songs. I hope I have conveyed
my thoughts
well enough. This has been a long a tricky topic but one well worth
thinking over. But that is the nature of a great
song, not only do I love to listen to it. I want to understand it.
Search for beauty, find your
shore
Try to save them all, bleed no
more
You have such oceans within
In the end, I will always love
you
The beginning.
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